Tuesday, January 7, 2020

Essay The Growth Of Portuguese Music - 1832 Words

Portugal has a rich musical culture, with roots that go back to Provencal troubadours, followed by ballads and the fado, and as of late, incorporating the rhythms of Portugals former West African colonies. nbsp;nbsp;nbsp;nbsp;nbsp;Each of these elements are stll alive in current Portuguese music like the French Provencal influence in the folk music played at festivals in the northern part of the country, as well as the rock and jazz most prevalent in the larger cities. An addtional element is added by a wealth of singer-songwriters, most of whom spawned from the extremely political New Song movement. This movement began rolling during the 1970s when the country threw off a thirty year dictatorship under Salazar, and was forced to†¦show more content†¦These are often lullabies, or tilling, sowing, and harvest songs. nbsp;nbsp;nbsp;nbsp;nbsp;They also have singing contests where competitors improvise on a theme in turn, or the fandango, a dance where two men match their dancing skill. Other traditional dances inclue modas, despiques, chulas, rusgas, corridinhos, viras, waltzes, and the ritual steps of the pauliteiros (stick-dancers) of Miranda in the Douro region. nbsp;nbsp;nbsp;nbsp;nbsp;The fado is Portugals most famous type of music. It is lyrical and very sentimental, and likely to have stems from African slave songs, though Portugals own maritime and colonial past is equally noticable. After the revolution in 1974, when the empire was dispelled, the fado went through what could be called a crisis. Today, it has come to be identified with an overall sense of frustration. nbsp;nbsp;nbsp;nbsp;nbsp;There are two versions of the fado. The first of which is style of the Alfama and Mouraria districts of Lisbon which is played mostly in the Bairro Alto clubs. It is highly personal and full of feeling. The Coimbra style is much more academic, played mostly by students, and reflects the ancient university traditions of the city. 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